Did You Know David Lynch Made NFTs With Rock Band Interpol?

David Lynch, the American filmmaker favored for his shadowy, surreal, and decidedly unusual physique of work, handed away this week at the age of 78. An avid experimenter and experimentalist, Lynch was repeatedly delivery to the fresh—even when it came to blockchain technology.

In 2021, again when NFTs were fresh and exciting to most of us, Lynch labored with the indie rock band Interpol to make a series of eight audiovisual collectibles on the Ethereum blockchain.

A decade prior, in 2011 Lynch had—at Interpol’s quiz—created a series of visuals for the band’s efficiency at Coachella. These visuals was the 5-minute titillating short movie “I Touch A Purple Button Man,” which accompanied Interpol’s then-fresh tune, “Lights.”

For the NFT series, that collaboration was revisited to make several immersive, psychedelic-feeling clips of “Purple Button Man” positioned in rusty tv shows—and uploaded onto the Ethereum blockchain and not using a sign of ending.

“To be frank, Interpol is crazy about David Lynch, and we are over the moon to luxuriate in ever been ready to align our identify with his in a ingenious forum,” the band’s frontman, Paul Banks, stated in an announcement at the time. “Humbly, we imagine that as digital artifacts shuffle, these are noteworthy of preservation in the endless digital realm.”

When the series went are residing in uninteresting October 2021, it without delay struck a chord with collectors. Even handed some of the NFTs, which featured the video’s title sequence, sold within hours for 20.7 ETH—a sum price over $82,000 at the time.

Lynch was no explicit evangelist of crypto or digital art. He by no formula labored with blockchain tech again. But he was famously annoying to pin down, and of the a immense amount of traits that defined his singular life and profession, one was a constant willingness to stumble on and embody the exciting and fresh.

Edited by Andrew Hayward